Doug Birkenheuer Art

A 14" x 11" black-and-white (gelatin silver) contemporary portrait photograph of a female nude with classic symmetrical proportions that suggests Greek sculpture. A feminine and stat...

Kate #2, 2002 by Leonard Freed is an 8" x 10" hand printed, signed by the photographer black and white photograph, stamped "vintage" by the Freed estate on verso (back of print).. M...

Underwater black and white (sepia) photograph of a young woman in tule scarf - with distorted reflection of her body in the water surface. Original gallery quality archival pigment ...

Kate #1, 2002 by Leonard Freed is a 10" x 8" handprinted, signed by the photographer black and white photograph, stamped "vintage" by the Freed estate on verso (back of print). Mode...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott...

Edition 10 Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Portrait of a male model from the back. From personality portraits and advertising campaigns to magazine layouts...

Nude #125, 1999 by Carl Hyatt is a signed, vintage gelatin silver, gold toned print. It is 8" x 10", matted 16" x 20", and signed. The photographer focuses on aesthetic and spiritual...

Paris, France, 1991 by Leonard Freed is a 14" x 11" vintage print, stamped on verso (back of photo) with Freed's copyright stamp, hand printed by the photographer, and signed on back of photo by artist. A comedic French street scene of a business man with briefcase...

Kate #3, 2002 by Leonard Freed is a 10” x 8” hand printed, signed by the photographer black and white photograph, stamped "vintage" by the Freed estate on verso (back of photograph)....

Kate #5, 2002 by American photographer Leonard Freed is an 8” x 10” signed black and white photograph stamped "vintage" by the Freed estate on verso (back of photo). Model, photograp...

Series: Provocateur Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 15" x 20" 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 A...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...